ATENEO DE MANILA TURNS 149

In celebration of the University’s second Sesquicentennial theme, Deepening Spirituality, the Ateneo community is warmly invited to TAKE AND RECEIVE: THE FIRST FESTIVAL OF ATENEO MUSIC

Sunday, 7 December 2008, 6:30PM
Church of the Gesù

FEATURING:

Ateneo Boys Choir (Daisy Marasigan, Conductor)
Ateneo Chamber Singers (Jonathan Velasco, Conductor)
Ateneo College Glee Club (Ma. Lourdes Hermo, Conductor)
Ateneo High School Glee Club (Jose Emmanuel Aquino, Conductor)
Dulaang Sibol (Dr. Onofre Pagsanghan, Managing Director)
Jesuit Music Ministry (Fr. JBoy Gonzales, SJ, Director): Blue Symphony, Bukas
Palad, Himig Heswita & Musica Chiesa

AND

the premiere "Take and Receive” medley arrangement of RYAN CAYABYAB

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Take and Receive: The First Festival of Ateneo Music
Ateneo choirs to stage free thanksgiving concert for the community

On Sunday, 7 December 2008, 6:30PM, Ateneo’s singing groups will treat the community to an evening of sacred, liturgical, and inspirational music through the concert, Take and Receive: The First Festival of Ateneo Music, at the Church of the Gesù, Ateneo Loyola Heights campus.

The concert gathers Ateneo’s home grown and award-winning groups, the Ateneo Boys Choir, Ateneo High School Glee Club, Dulaang Sibol, Ateneo College Glee Club, and Ateneo Chamber Singers. They will perform with the Jesuit Music Ministry artists, Blue Symphony, Bukas Palad, Himig Heswita and Musica Chiesa.

Distinguished Filipino musician and composer Ryan Cayabyab’s medley arrangement of the different “Take and Receive” compositions by the Filipino Jesuits will be one of the highlights of the concert.

Fans and supporters of these Ateneo singing groups can expect to be regaled by the songs that have made these groups both distinct and popular,resonating Ateneo’s fine musical legacy and the unique spirituality that inspires its music.

Dulaang Sibol is the Ateneo High School theater club founded and directed by Onofre Pagsanghan. Bukas Palad, meanwhile, was co-founded by Fr. Manoling Francisco,SJ 20 years ago. The Ateneo College Glee Club, the oldest university chorale in the country and winner in the 2006 Miltenberg (Germany) Choral Competition and Ateneo Chamber Singers, winner in the 2006 Tolosa (Spain) Choral Contest,will showcase their world-class talent in polyphony and classical music.

Another highlight of the concert is a tribute by the Jesuit Music Ministry artists to Fr. Eddie Hontiveros, SJ, or “Fr. Honti,” the acknowledged Father of Philippine Liturgical Music, who passed away in January 2008. The Mass hymns that Fr. Honti composed in the 1970s, after the Second Vatican Council called for inculturation of the liturgy, continue to be sung in every parish to this day, an enduring testament to the intimacy of his music with the heart of the Filipino and the message of Jesus Christ.

Take and Receive: The First Festival of Ateneo Music marks the Ateneo’s 149th anniversary, the year of “Deepening Spirituality,” the second theme of a three-year
countdown to Ateneo’s 150th anniversary, or sesquicentennial. Ateneo de Manila
University will celebrate its sesquicentennial on December 10, 2009 with the theme “Building the Nation."

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Mimi D. Agbay
Project Coordinator - Ateneo Sesquicentennial
Phone No.: +632 426.6001 loc. 4083
Mobile No.: +63 917.8933379
http://150.ateneo.edu/

EXHIBIT: HIS ART, OUR HEART

Fruit pickers under the Mango Tree (1937)

2008 will see the coming together of the works of Fernando Amorsolo, the Philippines' first National Artist (c. 1975). Below are the schedule of events:

The Ayala Museum exhibition ‘Amorsolo’s Maidens Concealed and Revealed’ will be from Oct. 23 to March 8, 2009. It "will survey Amorsolo’s rendering of women as a means of following his career, and will draw attention to his maidens from the American period and his studies of nudes from the post-war years as a tribute to his brilliance. "

The GSIS Museum's ‘Rituals and Amorsolo’, from Oct. 2 to Dec. 20, “underlines how rituals reflect values, beliefs, and shared knowledge, how it brings about interactions among people, places and objects, how it expresses the core of social identity of communities, how it fortifies social structures and institutions, and perpetuates social values. Portrayals include baptisms, praying the Angelus, a family’s walk to Sunday mass.”

The Lopez Memorial Museum’s ‘Tell Tale: The Artist as Storyteller, Amorsolo as Co-Author’, from Sept. 24 to April 4, 2009, is illustrative of Amorsolo’s generation of artists, of how Amorsolo became subject to the workings of image-making industries central to the crafting of fictions — about what it was to be a citizen, to be learned/civilized, to be devout, to be Filipino in the transitional junctures of Spanish-American rule. Beyond looking at illustrations as potboilers, the exhibit hopes to look at how artists such as Amorsolo may have brought other layers of meaning upon texts primarily intended as didactic instruments.”

The Metropolitan Museum’s ‘Philippine Staple: The Land, the Harvest, the Maestro’ will display a harvest field of rice-related pieces and outstanding landscapes.”

At the National Museum’s ‘Master Copy’ from Sept. 25 to Jan. 15, 2009, the drawings transfigure into portraits that imagine the national self and the imperialist other, the Filipino and the American, a President like Manuel Roxas or a Gov. Gen. like Francis Burton Harrison, an elegant American lady or a nameless Katipunan revolutionary immortalized in oil after their stint in sketches.”

The Jorge B. Vargas Museum’s ‘Amorsolo: His Contemporaries and Pictures of the War, Capturing Anxieties’, from Sept. 23 to Nov. 16, will feature the works of Amorsolo and his contemporaries spanning the Second World War (1941-1945) until the immediate postwar years (1946-1947), family and official portraits commissioned by Vargas, and genre paintings. Works by peers — Manansala, Saguil, Miranda and Castañeda — will also be showcased.

The Yuchengco Museum’s ‘Mukang Tsinoy’ will be from Oct. 1 to Jan. 17, 2009. They will exhibit paintings commissioned by Tsinoy families.

Do not miss this once-in-a-lifetime art event.

WOMEN = CREATING: A SOLO EXHIBIT AND POETRY COMPETITION

From the pre-colonial babaylans to the present-day career women, the Filipina has been highly regarded as leader, community organizer, setter of agenda, commander of the purse strings and source of caring and love. What beats at her very core, however, is creation – that primordial need to bring into the world forms that inspire and encourage.

WOMEN = CREATING shows us the faces – and facets – of women who have lived their dreams and impressed us with their greatness and innate humility. Our life stories are inevitably woven by the work of their hands - from the bewitching colored strings of the lumad loom, that memorable new novel, awe-inspiring pieces of art and that endearing television show we enjoy as friends or family. They write, sew, capture on film, carve & weave our history, capturing on their chosen medium all the travails and triumphs of our spirit as a people.

They may not be women of Tatarin or Darna proportions, but full of guts, grit and gumption nonetheless by setting out into the deep (Duc in altum!) in the name of creation and the practice of their craft.

Vivian N. Limpin - poet, photographer, graphic artist, writer, film director and painter - is honored to give tribute to some of our women-creators in this solo exhibit.


Women = Creating by Vivian N. Limpin
Conspiracy Garden Café
August 8, 2008 8PM
www.femlink.org

For details of the poetry competition by LIRA, click here.